You Did Not Want for Joy
			
			DXL1192
	
	
		
			 Carolyn Sampson:
		   soprano
		 
			 Matthew Wadsworth:
		   lute and theorbo
		 
		Latest CD release
		
	
			
			Theorbo Concerto
			
			DXL1182
	
	
		
			 Matthew Wadsworth:
		   theorbo
		 
			  The Scottish Chamber Orchestra:
		   
		 
		New theorbo concerto by Stephen Goss, written for lutenist Matthew Wadsworth, performed with the Scottish Chamber Orchestra directed by Benjamin Marquise Gilmore.
		
	
			
			Late Night Lute
			
			Deux Elles DXL1175
	
	
		
			 Matthew Wadsworth:
		   lute and theorbo
		 
		Music by Dowland, Johnson, Kapsberger, and a new piece for solo theorbo called ‘The Miller’s Tale’ by Stephen Goss.
		
	
			
			Not Just Dowland
			
			Wigmore Hall Live WHLIVE0034
	
	
		
			 Carolyn Sampson:
		   soprano
		 
			 Matthew Wadsworth:
		   lute and theorbo
		 
		A live recording from London’s Wigmore Hall with soprano Carolyn Sampson.
		
	
			
			The Knight of the Lute
			
			Channel Classics CCSSA25408
	
	
		
			 Matthew Wadsworth:
		   lute
		 
		Solo lute music from Robert Dowland’s Varietie of lute lessons, 1610.
		
	
			
			Masters of the Lute
			
			Channel Classics CCSSA 24206
	
	
		
			 Matthew Wadsworth:
		   lute and theorbo
		 
		Solo lute and theorbo, works by Dowland, Kapsberger, Piccinini, de Visee and Biber.
		
	
			
			When Laura Smiles
			
			Avie AV2074
	
	
		
			 Matthew Wadsworth:
		   lute
		 
			 James Gilchrist:
		   tenor
		 
		Lute solos and songs by Phillip Rosseter, featuring tenor James Gilchrist.
		
	
			
			Away Delights
			
			Avie AV 2053
	
	
		
			 Matthew Wadsworth:
		   lute
		 
			 Carolyn Sampson:
		   soprano
		 
			
			14 Silver Strings
			
			Deux Elles DXL 1044
	
	
		
			 Matthew Wadsworth:
		   theorbo
		 
			 Gary Cooper:
		   harpsichord and organ
		 
			 Mark Levy:
		   viola da gamba, lirone, violone
		 
		‘A ringing endorsement of the beauty of the theorbo in a distinguished recital… Wadsworth has an imperious command of some impressive solo material… he glories in the fleeting mysteries of these works, allowing the notes to speak with unequivocal conviction’ 
Editor’s choice – Gramophone Magazine